American rockers FOZZY are smashing their way out of 2021 with an exclusive eleven-date tour of the U.K. and Ireland. The trek will kick off on November 30 in Manchester and make stops in Newcastle, Glasgow, Dublin, Belfast, Chester, Birmingham, Bournemouth Swansea and Nottingham before finishing in London on December 12. Support will come from THE TREATMENT and STITCHED UP HEART. Triumphant main-stage performances in recent years at Download and Bloodstock Open Air festivals following the release of "Judas" have seen FOZZY hungry to return. "It's been over three years since we had the honor of playing in front on our U.K. fans, who were the first in the world to fully embrace us 15 year ago and show North America what they were missing," says singer Chris Jericho. "As a result, we've always held England, Scotland and Wales near and dear to our metal hearts. And it's been just as long since we've experienced the FOZZY lunatics in Ireland, who have consistently been one of the craziest and best countries for us to play in! So we in FOZZY are warning all of you now… get ready to rock harder than you've ever rocked and drink more pints than you've ever drank, because FOZZY is coming back to destroy your town! We all deserve a great time and we don't fuck around with the responsibility of providing that for all of our friends overseas." FOZZY U.K. and Ireland tour dates: Nov. 30 - Club Academy, Manchester Dec. 01 - Riverside, Newcastle Dec. 02 - The Garage, Glasgow Dec. 04 - Opium, Dublin Dec. 05 - Limelight 1, Belfast Dec. 06 - Live Rooms, Chester Dec. 07 - The Mill, Birmingham Dec. 08 - Old Fire Station, Bournemouth Dec. 10 - Sin City, Swansea Dec. 11 - Rescue Rooms, Nottingham Dec. 12 - Islington Academy, London In May, FOZZY dropped a breathtaking video for its first new song in two years, "Sane", which hit one million views in its first two weeks. This first-of-its-kind video was filmed on the longest wooden roller coaster on the planet today. Get a first-hand view of the madness as the band literally defies gravity, by reaching top speeds of 70 mph and terrifying drops of 154 feet, rocking to the crushing new track every track of the way!! It's an edgy, heart-stopping thrill ride that represents both the power and physicality of FOZZY's music, along with the bombastic nature and "who gives a shit" attitude of their live show. This past February, Jericho told Detroit's WRIF radio station that FOZZY's follow-up to 2017's "Judas" album would "continue with the momentum that 'Judas' started for us three years ago." Last summer, Chris revealed that FOZZY's next LP will contain 12 songs, including one cover. In May 2020, Jericho told Australia's Triple M radio station that FOZZY has "so many great songs" written for the new LP that "it's gonna be hard to pick the singles." Guitarist Rich Ward and producer Johnny Andrews once again did "the lion's share" of the songwriting for the new LP, which was recorded primarily in Atlanta, Georgia. Released in August 2019, "Nowhere To Run" was FOZZY's third single to hit Top 10 on rock radio, following "Judas" and "Painless". In addition to producing "Judas", Andrews previously co-wrote FOZZY's "Lights Go Out" track back in 2014. He has also written songs with the likes of ALL THAT REMAINS, THREE DAYS GRACE and HALESTORM. In November, FOZZY appeared in its first global live streaming event from Madison Studios in Atlanta, Georgia. FOZZY is Chris Jericho (vocals), Rich Ward (guitars, vocals), Frank Fontsere (drums), Billy Grey (guitars) and P.J. Farley (bass). Photo credit: Adrienne Beacco
Posted on 21 June 2021 | 5:46 am
The book "The Other Side Of The Show - My History With The Band Scorpions", written by David Araújo, tells how the Brazilian author went from being a loyal fan to a friend of many of the musicians who made history with the SCORPIONS over the years. With the foreword written by former SCORPIONS producer Dieter Dierks, the book is available in English and Portuguese. After more than 10 years of dedicating himself to the sites Scorpions News and Scorpions Brazil, David was given permission by his idols to use the SCORPIONS official logo on the cover of the book. "'The Other Side Of The Show' contains (almost) all the experiences and stories I've had with the band SCORPIONS since the beginning: when I left a small town in the countryside of Bahia called Formosa do Rio Preto, to the several concerts of the band, the encounters and how I built a real friendship with them," says David. "Besides the curiosities and secrets about the band, the book also mentions a number of friends who have been with me on this journey." "The Other Side Of The Show" also includes some incredible bonus items for Brazilian collectors who assert David's status as "the statistics man," as SCORPIONS guitarist Matthias Jabs said when he recognized the fan on one of the first occasions that they met. When asked by Rolling Stones Brasil about the book and his relationship with the Brazilian author, SCORPIONS singer Klaus Meine said: "David is such a loyal and hardcore fan. He met with our former producer and he knows all the musicians back from the '70s. He's very motivated and deserves all the support he can get from us." SCORPIONS have also shown their support by autographing limited-edition posters of the book.
Posted on 21 June 2021 | 5:25 am
Italian metallers LACUNA COIL will release a new live album, "Live From The Apocalypse", on June 25 via Century Media. A live version of the song "Veneficium", which originally appeared on LACUNA COIL's latest studio album, "Black Anima", can be seen below. Says vocalist Cristina Scabbia: "'Veneficium' is the painful and fierce scream that rises from the darkness. Another day has born and has new hope in it, the poison inside has been defeated and a new refreshed and healed life can start again." "Live From The Apocalypse" is the fruit of an unprecedented time. Unlike previous live efforts the Italians, under the yoke of the pandemic, cleverly devised a way for their devoted fan base to hear and see them on stage by organizing a special livestream event performing their latest album, "Black Anima", in its entirety, in September 2020. This very special show will now be released on vinyl and CD as well as a digital album. The physical album formats come with a bonus DVD featuring the footage of the original live stream. "Live From The Apocalypse" will be available in the following formats: * CD+DVD digipak * Gatefold 2LP+DVD and LP booklet * Digital album The vinyl version will be available in the following colors and limitations: * Black vinyl, unlimited * Neon yellow, limited to 300 copies worldwide, available at CMDistro EU * Red vinyl, limited to 200 copies worldwide, only available at EMP * White vinyl, limited to 300 copies worldwide, only available at the band's official store * Silver vinyl, limited to 300 copies worldwide, only available at Century Media U.S. * Orange vinyl, limited to 300 copies worldwide, only available at Revolver "Live From The Apocalypse" track listing: 01. Anima Nera 02. Sword Of Anger 03. Save Me 04. Now Or Never 05. Reckless 06. Through The Flames 07. Apocalypse 08. Black Feathers 09. Under The Surface 10. The End Is All I Can See 11. Veneficium 12. Black Dried Up Heart 13. Bad Things 14. Layers Of Time 15. Black Anima 16. Save Me (Apocalypse Version) By all accounts, this was no ordinary gig. Even though LACUNA COIL was in its hometown of Milan — at the famed Alcatraz Club — there were no fans to greet them. No roar of anticipation; no claps of adulation; no interaction with the people who had become deeply involved in and had a profound love for LACUNA COIL's music and live shows over two-plus decades. The livestream energy was different. It had to be. With hearts on their sleeves, cameras rolling, and the world tuning in online, LACUNA COIL brought "Black Anima: Live From The Apocalypse" to life. "On one hand, it felt awkward to play for a huge empty room," says vocalist Andrea Ferro. " But on the other hand, it felt great to finally reconnect with our fans at home and with the people working behind the scenes. A lot of people enjoyed the show — it was definitely a one-off event loaded with a lot of emotions and feelings. 'Live From The Apocalypse' is an opportunity to offer a new release to our fans while the COVID-19 crisis is still a real thing, affecting them and us. The live album represents a unique moment in our career (and life) that will be forever remembered as that one time when we literally 'rose from the Apocalypse.'" LACUNA COIL recently announced the release of its very own tabletop (or better yet, concert floor!) party game, Horns Up! The game itself takes place at a LACUNA COIL show, where each player must fight his or her way to be the first to reach the stage. There will obviously be many "friendship-threatening" actions challenging the opponents. LACUNA COIL band members will be an active presence in the game: they are depicted on the Stage Cards, and each of these will have consequences on the whole audience! The pre-order campaign is live worldwide and as the number of requested copies rises, the project will become more developed, with new events and new expansions. Shipping is available worldwide until November 2021. Pre-order your copy here.
Posted on 21 June 2021 | 4:51 am
Former NIGHTWISH and current THE DARK ELEMENT vocalist Anette Olzon will release her new solo album, "Strong", on September 10 via Frontiers Music Srl. The first single and video, "Parasite", is available below. "'Parasite' is a song about those who create disaster in this world with their lies, their schemes, their greed and hate. Hiding their intentions behind a respectable facade," says Olzon. "Living in a world of a bit of chaos with a pandemic, crazy politics, violence, social media behavior and people venting their opinions upon others all the time is the foundation behind the idea of the lyrics for the album. Musically, I wanted a much heavier album, yet with strong melodies and took my inspiration from bands I like such as DIMMU BORGIR and IN FLAMES." Anette's second solo album, following 2014's "Shine", is a harder and faster musical offering than the debut. More importantly, "Strong" stakes a claim for Anette's well-deserved standing as one of the world's top female metal vocalists. The music for "Strong" was written and composed together with acclaimed Swedish guitarist and producer Magnus Karlsson. Together, Anette and Magnus managed to create an outstanding collection of songs which showcase Anette's enormous vocal range alongside Karlsson's incendiary riffs. The songs are heavy, but still quite melodic and contemporary in their approach to the genre style. Additionally, "Strong" is mixed by Jacob Hansen (PRETTY MAIDS, VOLBEAT, THE DARK ELEMENT). All in all, "Strong" is an album that masters the borders between heaviness and hookiness, all while showing an artist who doesn't rest on her laurels, but heads boldly into the future. Track listing: 01. Bye Bye Bye 02. Sick Of You 03. I Need To Stay 04. Strong 05. Parasite 06. Sad Lullaby 07. Fantastic Fanatic 08. Who Can Save Them 09. Catcher Of My Dreams 10. Hear Them Roar 11. Roll The Dice Recording lineup: Anette Olzon - Vocals Magnus Karlsson - Guitars Anders Köllerfors - Drums Johan Husgafvel - Bass Olzon originally joined NIGHTWISH in 2007 and recorded two studio LPs with the band before being dismissed in 2012 in the middle of the group's North American tour. She was replaced by former AFTER FOREVER singer Floor Jansen. Since the end of her five-year stint with NIGHTWISH, Olzon released "Shine" and formed THE DARK ELEMENT with former SONATA ARCTICA guitarist Jani Liimatainen. The group's self-titled debut album was released in 2017; a follow-up, "Songs The Night Sings", came out in November 2019. Olzon and noted progressive metal vocalist Russell Allen (SYMPHONY X, ADRENALINE MOB) released a collaborative album titled "Worlds Apart" in March 2020 via Frontiers Music Srl. The project was issued under the moniker ALLEN/OLZON.
Posted on 21 June 2021 | 4:35 am
Comedian Dave Chappelle joined FOO FIGHTERS on stage last night (Sunday, June 20) at Madison Square Garen in New York City to perform a cover version of RADIOHEAD's "Creep". The event, which followed FOO FIGHTERS' warm-up club show at the Canyon Club in Agoura Hills, California, on June 15, marked the band's first full-capacity arena concert since the beginning of the pandemic. Chappelle, who was in New York City to premiere his new documentary, "Dave Chappelle: This Time This Place", at the Tribeca Festival, previously sang "Creep" live several times over the years, including with Bradley Cooper and Lenny Kravitz, and with John Mayer. Other highlights of FOO FIGHTERS' concert at Madison Square Garden included drummer Taylor Hawkins swapping places with frontman Dave Grohl for a rendition of QUEEN's "Somebody To Love" and the band performing its cover version of the BEE GEES' "You Should Be Dancing". As was the case at the Agoura Hills show, protesters gathered outside Madison Square Garden to voice their objection to the venue's proof-of-vaccination requirement. FOO FIGHTERS first headlined a sold-out Garden in February 2008 on their "Echoes, Silence, Patience & Grace" tour, returning to rock the venue for another sell-out show in November 2011 on the "Wasting Light" tour. Most recently, the band sold-out two nights at The World's Most Famous Arena in July 2018, on their "Concrete And Gold" tour. Last November, Chappelle was the host of the "SNL" episode which featured FOO FIGHTERS as the musical guests.
Posted on 20 June 2021 | 10:47 pm
In a new interview with Brazil's 89 A Rádio Rock, Wolfgang Van Halen was asked if having a famous last name has been a blessing or a curse in terms of helping him establish himself as a solo artist in the music industry. He responded: "I think it's a bit of both. While the last name may conveniently open doors, it doesn't keep them open. So I think as long as you have the goods, that's what'll carry you further. So I guess that's yet to be seen. So we'll have to see. Only time will tell, I guess." This past January, Wolfgang told Rolling Stone India that he was "really thankful" for all the attention his solo music has received so far. "For me, it's one thing for people to be interested in it, but after hearing it and people actually wanting to hear more, it is a huge thing. So I'm really excited for people to hear more of the project and stuff because I think they'll enjoy it." Wolfgang also confirmed that he didn't want any sense of entitlement to people's attention due to the connection with his father, legendary VAN HALEN guitarist Eddie Van Halen. "Unfortunately, it's a double-edged sword with my name; people are going to pay attention either way," he said. "But there's nothing I can do about what my name does. It does open doors. Luckily, I'm in a very lucky position. But I think it doesn't keep the door open. I think you have to prove yourself in order to keep that door open. Otherwise, you'll fizzle and disappear. So I guess it's just a matter of time to tell if I have the goods or not. But my father believed in me. And that's in the end. That's all I really need. Because he believed in me." Wolfgang joined his father in VAN HALEN for the band's 2007 reunion tour with singer David Lee Roth, replacing Michael Anthony. The self-titled debut album from Wolfgang's MAMMOTH WVH solo project was released on June 11 via Explorer1 Music Group/EX1 Records. MAMMOTH WVH will support GUNS N' ROSES a U.S. tour, beginning on July 31 at Hersheypark Stadium and concluding in early October with a two-night run at the Hard Rock Live Arena in Hollywood, Florida. MAMMOTH WVH's touring lineup will feature Wolfgang on guitar and lead vocals, Frank Sidoris (SLASH FEATURING MYLES KENNEDY AND THE CONSPIRATORS) on guitar, Jon Jourdan on guitar and vocals, Garrett Whitlock (TREMONTI) on drums, and Ronnie Ficarro on bass.
Posted on 20 June 2021 | 11:49 am
Matt Tuck of Welsh metallers BULLET FOR MY VALENTINE joined James Wilson-Taylor of Rock Sound backstage ahead of the band's headlining set at the Download Pilot festival event to talk through their live show, new single "Knives" and what to expect from their upcoming self-titled album. Speaking about "Knives", Matt said: "We just wanted to come back with a song which we thought was kind of a bit of a suckerpunch, really. It speaks for itself. I don't know what to say about it, really. I don't think a lot of people saw it coming, which is what we wanted. That's what a suckerpunch is. It's heavy, it's aggressive, it's gnarly. It is what it is. I love it. The whole album's like that." Regarding the decision to make the new BULLET FOR MY VALENTINE album a self-titled affair, Tuck said: "Well, I think 'Knives' says why. We're kind of — not in a negative way — we're letting go of the past, and we wanted to start fresh. And we thought now's the time. Everyone feels good. Everyone's in a really good place. And we wanted to come out swinging. We just feel it's a statement record. When people hear 'Knives', they'll be, like, 'Oh, shit.' Wait till you hear the rest of the record. It's a statement record for us. And we felt like the time was right to kind of put our flag in the sand. BULLET are here, and this is who we are now, and this is where we are going." "Bullet For My Valentine" will be released on October 22 via Spinefarm/Search & Destroy. According to a press release, the LP sees the band open a bold new chapter and is "easily their heaviest, fiercest album so far." The official music for the first single "Knives", directed by Fiona Garden, can be seen below. "Bullet For My Valentine" follows the success of the band's last album, 2018's "Gravity", which saw the metal juggernauts' catalogue surpass 1 billion streams in the U.S. That accomplishment solidifies BULLET's hard-earned status as one of the most elite bands in the hard rock scene. Tuck began writing "Bullet For My Valentine" in September 2019 before the coronavirus pandemic brought things screeching to a halt in early 2020. But in June 2020, Tuck and longtime producer, Carl Bown, who co-produced the band's 2015 album, "Venom", and produced and mixed "Gravity", picked up the pace again. Together, they hunkered down at Treehouse Studio in Chesterfield, where the remainder of the album was written.
Posted on 20 June 2021 | 10:00 am
DEF LEPPARD drummer Rick Allen went on "Side Jams With Bryan Reesman" to talk about his painting and photography work. He also addressed what his life has been like under the pandemic, including reconnecting with an old friend who became a famous golfer. Allen is known for his charity work with people suffering from PTSD, notably military veterans, through his Raven Drum Foundation. He recently made appearances at various Wentworth Gallery locations in May and June to sell paintings, raise funds, and meet fans. Having coped with PTSD during his adult life, he understands that quarantine has been difficult for many people like him. "Isolation is a terrible thing," said Allen. "The thing that we talk about when I'm together with wounded warriors is isolation. Use technology. You've got it all at your fingertips. Reach out to somebody that you feel is worse off than you, and then reach up to somebody that you feel is further along than you. The thing about the whole COVID thing is veterans would start to isolate again, and that's dangerous. I felt that early on in the pandemic. And then [my wife] Lauren came up with this idea of 'Big Love' benefit concerts. That really helped me because it gave me a focus, and that just kind of carried through to where I was like, just be of service and just whatever you can help do it. It doesn't cost me anything to make people feel happy or inspired. So, that's been a huge topic. Mental health awareness and suicide prevention — those two months are back to back. It should be every day. It shouldn't be just one month is dedicated to this or another month dedicated to this. The whole year should be dedicated to that because I've seen so much suffering during this time. I just opened my little way I can help. And that's one of the things that music, particularly the artwork, during COVID has really helped me with. It's kept me focused." There have been bright spots too. Allen found himself reconnecting with an old friend during lockdown, a successful golfer named Mark Roe. "He's played some of the some of the most famous golf courses on the planet," said Allen. "He became a TV presenter, and I just spoke to him recently and remembered that he was actually the first person that introduced me to the first VAN HALEN album [back in 1978]. I was just blown away [by it]. It was incredible. Hopefully, we're gonna stay in touch. It was lovely to hear him. And he basically said to me, 'As I get older, I started to think about people that were significant in my life, and you came up.' He knew me before I was a rock star or any of that, so it meant a lot to me that he reached out." Rick also talked about his love for photography. "Sometimes I'll go back through the archives and go back through old photographs — things that I didn't think were very, very impressive at the time," he said. "Just conjure up that moment in time where I go back and it conjures up so many other memories of what was going on in my life at that particular moment in time. So I find photography very useful. I love video, I love cinematography. But there's something really unique about still images and trying to instill some sort of movement, something that brings up an emotional response in people. And that carried through to my artwork." Allen became the drummer for DEF LEPPARD at age 15. At the height of worldwide fame in 1984, he had a car accident that changed his life. Rick lost an arm, but turned personal tragedy into spiritual transformation and continued his musical career. While he was already a hero to millions of young people, he soon added millions of new admirers. Since then, Rick has been reaching out and giving support to others all over the globe by sharing his personal experiences and his love of drumming. Over the past 17 years, Rick has reached out to teenage cancer patients, children with special needs, at risk youth in crisis, families of domestic violence and veterans who have served in Vietnam, Desert Storm, Iraq and Afghanistan. He was awarded the Humanitarian Award by Maria Shriver's Best Buddies in 2002 and in 2012, was also awarded the prestigious Wounded Warrior Project's Carry It Forward Award. Rick continues his work helping wounded warriors through Project Resiliency's Warrior Resiliency Program sponsored by his charity foundation the Raven Drum Foundation. An integral part of Rick's creative life went public in 2012. After years of personal photographic work, Allen ventured into the fine art world with a blockbuster debut collection of abstract artwork built from rhythm. Allen has become a pioneer in the new medium, utilizing drumsticks and rhythm to dictate abstract visuals on canvas.
Posted on 20 June 2021 | 9:30 am
U.D.O. frontman Udo Dirkschneider recently spoke to Via Nocturna about the band's upcoming follow-up to 2018's "Steelfactory" LP. He said (as transcribed by BLABBERMOUTH.NET): "It will be a really good U.D.O. album. This is also the first time we are composing together with the two new members of U.D.O.," referring to bassist Tilen Hudrap and guitarist Dee Dammers. "Very interesting. And there are a lot of things there that will be a little bit of a surprise. But no, we are not changing the style, but a lot of little things are a little bit different. But it will be very interesting." Last year, U.D.O. collaborated with Das Musikkorps der Bundeswehr, the military band of the German federal armed forces, on an album called "We Are One", which was released in July 2020 via AFM Records/Soulfood Music. U.D.O.'s current lineup includes Udo's son and drummer Sven Dirkschneider, Hudrap and guitarists Andrey Smirnov and Dammers. "Steelfactory" was released in August 2018 via AFM. Udo's DIRKSCHNEIDER & THE OLD GANG project, in which he is joined be fellow former ACCEPT members Peter Baltes (bass) and Stefan Kaufmann (guitar), recently released a new single and video, "Every Heart Is Burning". DIRKSCHNEIDER & THE OLD GANG, which is rounded out by Udo's son Sven Dirkschneider (drums), Manuela Bibert (vocals) and Mathias Dieth (guitar), issued its debut single, "Where The Angels Fly", last September. A second single, "Face Of A Stranger", followed in April. On August 27, all three songs will be released as the "Arising" CD, a 12-inch vinyl and a download.
Posted on 20 June 2021 | 8:56 am
Former AC/DC drummer Chris Slade has once again praised Axl Rose's performance with the band, saying that the GUNS N' ROSES singer "was tremendous from the start." AC/DC postponed the last ten dates of its North American tour more than five years ago after doctors told singer Brian Johnson he faced a total loss of hearing if he did not stop touring immediately. AC/DC completed the tour in the summer of 2016, with Rose as a "guest vocalist." Slade, who played drums for AC/DC's "Rock Or Bust" world tour after Phil Rudd was arrested for drug possession and threatening to kill an employee, spoke to Andrew DiCecco of Vinyl Writer Music about how Axl ended up fronting AC/DC. He said: "Yeah. Well, for me, it was quite a long time. Me and my Mrs. had to spend a lot of time in Miami, Florida. Towards that break, which ended in Florida, Brian was really unhappy with what he was doing. And I could hear him perfectly; I was using in-ears and I could hear the band, and him, perfectly. To me, it didn't sound as bad as he thought it was. I kept saying to him, 'Brian, you're doing fine.' But he didn't like it. I don't know the circumstances, but all I knew is that Tim, the tour manager, said, 'Brian's not here anymore. We just gotta hang around.' I went, 'Oh, okay.' It took some time; maybe a month or more. Then we went to Atlanta, Georgia and there was some auditions. I said to [the drum tech] Dick Jones, 'What's tomorrow? Is it a day off?' He said, 'No. It's Axl Rose tomorrow.' I went, 'What!?' I couldn't believe it; I heard all the stories about Axl. The next day, there he is. I shook his hand and thought, 'This guy's not bad at all,' and he was telling jokes. And then he sang and I didn't know he had that voice. I really had no idea he could sing like that. It was tremendous from the start. Within the next day, he was in the band." Asked if Axl meshed with the band rather seamlessly, Chris said: "In my opinion, yes. People may disagree with me, but again, I could hear him perfectly, too. Some of those notes he hit were unbelievable. He used to warm up for two hours every day. And I know he did because we were either on the same floor or very close. You could hear him on his piano, doing the scales and everything. And as I say, he was quite a funny guy. I know it's not the opinion that a lot of people have of it, but that's my experience of Axl. "I know in the past he's had his problems, but the guy that I met was a really nice guy, really talented on the case," he added. "He was never late, ever. That's what I was afraid of, more than anything, because AC/DC is never late, not even to the second. If it's an 8:30 show, it's an 8:30 show. On that tour, by the way, there was one night where there was a glitch. I don't know what it was, exactly — a guitar wasn't working properly — and we were about a half an hour late going on. I found out afterward that was the only time that AC/DC were ever late for a show. They're pretty conscientious like that; everything has to be spot-on." Slade followed Simon Wright in AC/DC's lineup, joining in time to play on 1990's "The Razor's Edge" album. When Rudd returned in 1995, Slade was shown the door and harbored some bad feelings about that for a while. Although he's 74, he still hits the drums as hard as ever. Slade has been busy touring with his band THE CHRIS SLADE TIMELINE, which finds him performing selections across his five-decade career.
Posted on 20 June 2021 | 8:29 am
GARBAGE has released a video for the song "The Creeps", created by Chilean film director, animator and painter Javi Mi Amor. The track is taken from the band's seventh studio album, "No Gods No Masters", which came out on June 11 via Stunvolume/Infectious Music. "This is our seventh record, the significant numerology of which affected the DNA of its content: the seven virtues, the seven sorrows, and the seven deadly sins," says the band's frontwoman Shirley Manson of the album and its twists and turns from capitalism and lust to loss and grief. "It was our way of trying to make sense of how fucking nuts the world is and the astounding chaos we find ourselves in. It's the record we felt that we had to make at this time." Produced by GARBAGE and long-time collaborator Billy Bush, the seeds for "No Gods No Masters" were planted in summer 2018 in the desert in Palm Springs. The quartet — Manson and bandmates Duke Erikson, Steve Marker and Butch Vig — convened at a home belonging to one of Marker's relatives and sketched out the skeleton of the album over two weeks, jamming, experimenting and feeling the songs out. They then took those demos and went their separate ways before connecting in Los Angeles to finish the record. GARBAGE has also unveiled a deluxe CD/digital version of "No Gods No Masters" featuring covers of classic tracks by David Bowie, Patti Smith and Bruce Springsteen along with rare GARBAGE originals. The deluxe version also features new voices, with appearances from Screaming Females, Brody Dalle, Brian Aubert, John Doe and Exene Cervenka. Since releasing their eponymous debut album in 1995, GARBAGE has blazed a unique sonic trail, garnering critical acclaim and amassing a passel of hits as well as seven Grammy nominations along the way to 17 million albums sold. "No Gods No Masters" track listing: 01. The Men Who Rule The World 02. The Creeps 03. Uncomfortably Me 04. Wolves 05. Waiting For God 06. Godhead 07. Anonymous XXX 08. A Woman Destroyed 09. Flipping The Bird 10. No Gods No Masters 11. This City Will Kill You Deluxe Edition (bonus tracks) 12. No Horses 13. Starman 14. Girls Talk (feat. Brody Dalle) 15. Because The Night (feat. Screaming Females) 16. On Fire 17. The Chemicals (feat. Brian Aubert) 18. Destroying Angels (feat. John Doe & Exene Cervenka) 19. Time Will Destroy Everything
Posted on 20 June 2021 | 8:03 am
THE WILDHEARTS will release a new studio album, "21st Century Love Songs", on September 3 through Graphite Records. It is the follow-up to "Renaissance Men", THE WILDHEARTS' highest-charting album since 1994's "P.H.U.Q.", which debuted at No. 11. The official lyric video for the LP's first single, "Remember These Days", can be seen below. THE WILDHEARTS frontman Ginger (real name David Walls) said: "Sometimes inspiration strikes at exactly the right point in time. I was sitting blind drunk one afternoon, looking at a picture of me and CJ on stage having a great old time. It had been a year since we'd played live and I started to miss it even more. So I started writing this song. "I never write while drunk," he explained. "I've probably my done it half a dozen times in my life. But the picture got me all emotional, thinking about how much fun we used to have, even in the 'bad old days.' It made me want to document these times because who knows, maybe we'll look back on these times and remember only the good things." With THE WILDHEARTS' classic line up of Ginger, CJ, Ritchie and Danny still holding strong, this creatively brilliant band, who helped change the landscape of British rock through the '90s, is showing no sign of slowing down. "21st Century Love Songs" will be available in usual CD and vinyl formats plus an exclusive limited-edition red vinyl. There's also signed photocards with each format whilst stock lasts, as well as t-shirt bundles available from the band's webstore. Ginger previously stated about "21st Century Love Songs": "'Renaissance Men' reminded me of our first album, 'Earth Vs The Wildhearts'. No one knew how the fans and press would receive it, so it was balls-to-the-wall rock, and fuck 'em if they don't like it. Going in again, for '21st Century Love Songs', naturally reminded me of our second album, 'P.H.U.Q.', where we got to flex our creative muscle and show everyone what we're capable of. This time we let the songs simmer until absolutely ready. We let the theme of the album present itself. There's a subtlety to this album, something that people don't often associate with THE WILDHEARTS, and a sense of adventure in the unorthodox arrangements of the songs. This is where I become a fan of the band, when we ditch the rule book and just follow our instinct. Sarcastic, fun, angry, proud, experimental and belligerent, all wrapped up in a big 'fuck you', this is the sound of the band in their natural habitat. This time we're in control." To celebrate the release of "21st Century Love Songs", THE WILDHEARTS will embark on an 18-date U.K. tour in September. The tour will start in Cardiff on Friday, September 3 and conclude in Southampton on Saturday, September 25.
Posted on 20 June 2021 | 7:10 am
Fan-filmed video footage of VIXEN's June 17 performance at The Ranch Concert Hall & Saloon in Ft. Myers, Florida can be seen below. Earlier this month, VIXEN guitarist Brittany Denaro (a.k.a. Britt Lightning) spoke to Talking Metal about the progress of the songwriting sessions for the band's next studio album. "Well, it's going a little bit slower than we had anticipated," she said. "Before COVID, we had a bunch of writing sessions — in person — scheduled, where we all just get together and hang out and work on stuff. "We all live in different states across the country, actually — from L.A. to Michigan to Florida — we're very spread out," she explained. "So it's not easy to travel. And honestly, nobody is super jazzed about sending tracks back and forth, trying to record it separately and everything like that. So we got a little bit slowed down. But we've got some great ideas. We're gonna be seeing each other in a couple of weeks, so we're really looking forward to getting back on track and just finishing the writing so we can get in the studio and bang this thing out. I'm very anxious to have it done. I know we've been talking about it for a while." Asked about the musical direction of the new VIXEN material, Britt, who has been in the band since 2017, said: "Definitely it will be traditional VIXEN. When you hear it, I think you're gonna know it's VIXEN. We're gonna keep with the big three-part harmonies, the big, catchy choruses, cool, rocking riffs and solos and that thumpin' bass and, of course, Roxy's [Petrucci, drums] awesome sound. I think it'll be a slightly modern twist maybe — I think maybe I bring that a little bit, but I've been so influenced by VIXEN and other bands from that era that I think it's gonna stay consistent. And we want that — we don't want fans to be, like, 'What the heck is this? This isn't the band that I love.' But I think it's gonna be a good mix." Britt's comments echo those made by VIXEN singer Lorraine Lewis, who told Metal-Net last November that the band's new material is "always going to sound like VIXEN as far as harmonies — [which is] really important to us — but really fresh. Lots of messages, lots of what our journey has been as individual women. And we're all just kind of putting our horses together, and I'm really excited. I'm just stoked to be in the studio again. "We don't have it a hundred percent mapped out," Lorraine admitted. "Right now, we're still in writing process, we're still working on stuff — lots of lyrics and just kind of sharing them with all of us. Sharing choruses with [producer] Fred [Coury from CINDERELLA]. He says, 'Yes, this is a great chorus. Let's work on this.' So we're really, really happy and proud to be working with him. He believes in us, and he believes in me, which I really, really love. We've had a really great couple of talks in the studio and otherwise, like with Britt there, and him just saying, 'You guys have everything going for you. You have an amazing band. You're a legacy band. And you've got Lorraine doing vocals for you.' And I'm so appreciative that he believes in me and he thinks I can sing anything. When Fred tells you that you can do anything, you believe it. So I'm really excited to go into the studio and work with him. And I'm really honored that he has said some of the things that he said to me. So the sky's the limit here.' Lewis added: "I wanna release a really powerful, amazing record. And let's get a couple of singles out there, and let's revise the VIXEN legacy and keep on rocking." In January 2019, VIXEN recruited Lewis as its new lead singer following the departure of Janet Gardner. Lewis had already performed with VIXEN in March 2018 in Durant, Oklahoma while Gardner was recovering from surgery. Prior to Lewis's addition to VIXEN, Petrucci, Ross and Denaro vowed to "expand upon the VIXEN legacy while remaining true to our musical roots." Gardner, who released her debut self-titled solo album in 2017, broke the news of her exit from the group on January 16, 2019. Gardner, Petrucci and Ross are considered to be part of VIXEN's classic lineup, along with founding guitarist Jan Kuehnemund, who died of cancer in October 2013. Gardner contributed lead vocals to VIXEN's most commercially successful studio albums — "Vixen" (1988), "Rev It Up" (1990) and "Tangerine" (1998) — as well as the group's latest release, 2018's live album "Live Fire".
Posted on 20 June 2021 | 6:53 am
As bassist of prog legends OPETH, Martín Méndez has gained worldwide popularity and now he returns with another virtuous death metal crusher that captures the fear, loss of control and despair of lockdown in eight new tracks. For "Dancing Into Oblivion", his project WHITE STONES goes further down the path of progressive extreme metal with haunting growls, jazz-induced intermezzi and an incredible level of technical perfection. WHITE STONES has revealed its first video clip for the song "Chain Of Command". Influenced by John Coltrane and Wilbur Harden, the track allows multiple genres to co-exist and harmonize with each other while creating a threatening extreme metal atmosphere of fear and isolation — the perfect soundtrack to lockdown. "Dancing Into Oblivion" will be released on CD, vinyl (clear and black/red marbled) as well as digital. "Dancing Into Oblivion" track listing: 01. La Menace 02. New Age Of Dark 03. Chain Of Command 04. Iron Titans 05. Woven Dream 06. To Lie Or To Die 07. Freedom In Captivity 08. Acacia When WHITE STONES released "Kuarahy", they became the first Spanish band signed to Nuclear Blast Records, cementing their first album as an unprecedented milestone. Now, with "Dancing Into Oblivion", the band returns with a more compact sound, having been hard at work ensuring the utmost attention to every detail for a result that is even better than the first record. The topics covered on this second album draw on the feelings that Martín himself affirms he has lived through during the lockdown imposed by the COVID-19 pandemic. "I started it very calmed in March when 'Kuarahy' was released and the lockdown started," he says. "I wrote the new record and it just flowed so well. It's my point of view, of the feelings I had during the lockdown period, in this weird year. I took advantage of the moment and I feel excited about it." The emotional ups and downs that a situation like this generates are reflected on this record. As Méndez says: "It's a mix of feelings during the lockdown, feelings that go from fear to uncertainty as well as going through the confusion when you don't know about the future and you feel almost as if time has stopped. Musicians might be the last who will be back to work and we don't have any signs of a sooner return, which makes for a huge uncertainty. I have a family and I have to take care of them. This situation creates a feeling of discomfort which you can feel on the album," he confesses, also adding that "otherwise it's been nice having so much time at home with the family and those small and peaceful moments are also in the music. I've chosen to include some interludes between the songs so there is a higher contrast and it makes it easier to appreciate the different feelings throughout." The most outstanding musical elements on this new record are the disparate genres that manage to co-exist. There is an element of aggression, that can be seen rearing its head in an instrumental frenzy, as well as soft and delicate intricacies that develop an atmosphere which surrounds the listener. There are distinct dynamics among the songs, with interludes allowing the listening to take a breath and appreciate what they're hearing. Describing the type of music, Martín says: "It's difficult to define the style of this album. I don't like to tag the music. This is metal for me. It has elements of my interpretation of death metal but it has other, conscious influences from other genres too. It shows me as musician and displays my music taste within the restlessness of trying to do something different." Méndez recalls the writing process for this record: "The first [song] I wrote was 'Chain Of Command', where I had the idea of writing more daring songs than on the previous record where I restricted myself and didn't want to play anything too technical, I just wanted to create something that was easier on the ear. In this one I wanted to do something slightly more elaborate and technical, musically, to add some color. The first influence I had for 'Chain Of Command' was from a John Coltrane and Wilbur Harden album, while in 'New Age Of Dark' the influence came listening to DEICIDE, so the influences are really quite varied across this record." Something the band were deliberately aiming for on this album was brevity. Vocalist Eloi Boucherie states how he and Méndez think: "It's better an album you want to listen to again than a record you desire to finish before it ends," then "it leaves you wanting for more." The writing process of "Dancing Into Oblivion" has been pretty similar to the previous "Kuarahy" but with some clear changes. Martín composed all of the instrumentals for the album but, as he says: "I've left sections open to the interpretation of each of the other musicians, both in the drums and in the vocals. Eloi wrote the lyrics this time and we then workshopped them together whilst working out the vocal parts to get the final result in the studio". WHITE STONES once again recorded at Farm Of Sounds Studios (Barcelona), owned by their singer Eloi. They were satisfied with the sound of "Kuarahy" and the experience of the recording of that album and the comfort of making everything with their own tools made it all easier. "Everything has been 'homemade' because it's a way of working and a philosophy I like. You have more control and you can better enforce your ideas", Méndez — who also created the cover for "Dancing Into Oblivion" together with Sandra, his partner for many years — explains. The final mix and mastering of this second album was done by Jaime Gómez Arellano at Orgone Studios (U.K.) because the band were more than satisfied with the work he did on "Kuarahy" and they wanted to repeat that great experience. Eloi, as the singer and also the guy who recorded the music sent to Orgone Studios, acknowledges "the recording had more experience and a better sound quality because we made better decisions during the pre-production thanks to a higher level of self-awareness of ourselves as a band. Jaime knew us better too, so that simplified the process and in turn helped to make 'Dancing Into Oblivion' as good as it can be." The lineup has been enhanced with the participation of the multifaceted Joan Carles Marí Tur on drums (who also plays in other bands like FACE THE MAYBE). The guitar solos were the job of Joao Sassetti (who was already a member of the touring lineup of WHITE STONES). Sassetti lives in Portugal and he couldn't be in the studio in Barcelona, so he recorded his solos and digitally sent them over for integration into the final songs. The recording of the instruments has been more organic and as Boucherie says, "The original sound has been retained as much as posible in each and every element" and it has brought a natural/raw touch for "Dancing Into Oblivion" just as the band had hoped and expected. WHITE STONES is: Martín Méndez - Bass, Guitars Joao Sasseti - Guitar solos Eloi Boucherie - Vocals Joan Carles Marí Tur - Drums Photo credit: Sandra Artigas
Posted on 20 June 2021 | 6:36 am
With years of combined experience and hundreds of gigs around the world, bassist Henri "Henkka T. Blacksmith" Seppälä, vocalist Ville Malja (LAPKO), guitarist Jussi Ylikoski and drummer Mikko Hakila (DISCO ENSEMBLE) united last year to form MOON SHOT. Buoyed by the resounding success of debut track "Big Bang", and further singles "Blood Looks Cool", and "Confession", the Finnish outfit is now pleased to announce the upcoming release of its debut full-length effort, also titled "Confession". The effort will be made available on October 22 in partnership with OMN Label Services. Malja shares: "'Confession' is sincere and sincerity is timeless. This is a crispy rock album inspired by the classics but still looking to the shimmering future. As a singer and lyricist, I've never been more inspired." Ville's words only ring truer when listening to new single "Agony Walk" which accompanies the album announcement along with its music video that you can watch below. The track is one of the band's favorites on the record, with a punchy, up-tempo, punk rock sound. Seppälä sings its praises: "For me, 'Agony Walk' has been one of the strongest songs all the way. In a way, it sounds very much like what I thought MOON SHOT would sound like in the beginning. The sound of MOON SHOT has expanded ever since, but 'Agony Walk' still stands on its own — with pride." Finally, with an album ready to come out and concert venues slowly reopening again, MOON SHOT is ready to take on the world. "When writing and judging the songs for this album, the most important thing for me was to remain true and honest to myself," Ylikoski says. "If something didn't feel right, it had to go. This is the only way for me to protect the inspiration and meaning of this work and to present a meaningful album. And when this is achieved, everything else is secondary. 'Confession' is a labor of love. "MOON SHOT is something completely new, made from scratch. This lineup, the new songs, the team behind us. It's just amazing and makes me humble. I feel lucky to be alive and part of this band in this day and age. Can't wait to get up on stage". "Confession" track listing: 01. Confession 02. Agony Walk 03. Big Bang 04. Marlboro Man 05. Caterpillar 06. Kiss The Ghost 07. Second Chance 08. Blood Looks Cool 09. Cut The Corners 10. Big Feelings 11. Into The Trouble 12. Street Guy 13. Uno, Dos
Posted on 20 June 2021 | 5:57 am
NEW FOUND GLORY has announced a deluxe release, "Forever And Ever x Infinity...And Beyond!!!", due out September 3 on Hopeless Records. Featuring six new songs that the band wrote and recorded during the pandemic, this deluxe album will be pressed on a limited-edition double LP paired with a collectible 24-page zine that was designed by the band, complete with never-before-seen photos and notes from NEW FOUND GLORY. NEW FOUND GLORY guitarist Chad Gilbert comments: "We are pumped to announce the deluxe version of our 10th album, now called 'Forever And Ever X Infinity… and Beyond!!' The new and improved version features six new songs on the album which takes it to 21 songs for 2021! You all have been playing the heck out of this record and showing it so much love over the last year and now that we actually get to tour it soon, we wanted to reignite its energy and fire!" One of these new songs from "Forever And Ever x Infinity...And Beyond!!!", a track called "The Last Red-Eye", can be streamed below. "Forever And Ever x Infinity...And Beyond!!!" track listing: 01. Shook By Your Shaved Head 02. Greatest Of All Time 03. Double Chin For The Win 04. Nothing To Say 05. Stay Awhile 06. Himalaya 07. Same Side Sitters 08. Like I Never Existed 09. More And More 10. Do You Want To Settle Down? 11. The Way You Deserve 12. Trophy 13. Scarier Than Jason Voorhees At A Campfire 14. Birthday Song But Not Really 15. Slipping Away 16. Backseat 17. The Devil Has Many Faces 18. The Last Red-Eye 19. Ferris Wheel 20. Puzzles 21. The New Abnormal After a year of postponements, NEW FOUND GLORY is reminding you that pop punk still isn't dead and is here to prove it with co-headliners SIMPLE PLAN. The "Pop Punk's Still Not Dead" tour will be kicking off in Dallas, Texas on August 31 and traveling to cities throughout the U.S. with support from special guest LOLO. Combining punk, hardcore, and post-hardcore with emotional lyrics and melody is nothing new for the band that epitomizes heartfelt optimism with DIY work-ethic and spirit. But never has this been more evident than on "Forever + Ever x Infinity", including hit singles "Greatest Of All Time" and "Himalaya". They instantly cemented their place on fans' playlists while also securing strong support from streaming services with adds to Pop Punk's Not Dead (Spotify), All New Rock (Spotify), New Alt Now (Pandora), Pop Punk Heroes (Deezer), Punk Hotlist (YouTube) and more landmark playlists. After 20-plus years of being a band, ten studio albums, one live album, two EPs, and four cover albums, NEW FOUND GLORY's ethos has never wavered; they always strive to be the friend you always need and who always understands you. With "Forever + Ever x Infinity…And Beyond", the band created an album that is even more 100% NEW FOUND GLORY. NEW FOUND GLORY is Jordan Pundik (lead vocals), Chad Gilbert (guitar), Ian Grushka (bass guitar) and Cyrus Bolooki (drums). Photo credit: Acacia Evans
Posted on 20 June 2021 | 5:36 am
Video of GREAT WHITE singer Mitch Malloy performing a solo acoustic cover version of the JOURNEY classic "Open Arms" can be seen below. Mitch is perhaps best known for his brief stint with VAN HALEN after the band split with Sammy Hagar. In 1996, Malloy was invited to Eddie Van Halen's studio to try out for the group and recorded a demo of the classic "Panama" before being told by Eddie he got the gig. However, his joining VAN HALEN was reportedly overridden by then-manager Ray Danniels, who wanted Gary Cherone (EXTREME) as Hagar's replacement. Malloy's involvement with VAN HALEN is the focus of a short documentary, "Mitch Malloy: Van Halen's Lost Boy", which was uploaded to YouTube in 2013. Malloy joined GREAT WHITE as the replacement for Terry Ilous, who was fired from the group in July 2018. Mitch, who relocated to Destin, Florida from Nashville, Tennessee in 2019, told Destin Life about how he landed the GREAT WHITE gig: "I had a friend who knew some guys in the band, and one day he and I were talking, and he just mentioned, 'Hey, I think GREAT WHITE could really use you. They're looking for a new singer.' It just all worked out. It's been great, and it also allows me to pursue my solo projects." The 59-year-old's influences include AEROSMITH, CHEAP TRICK, HEART, FOGHAT and DEEP PURPLE.
Posted on 20 June 2021 | 5:19 am
RESIST & BITE, the new band featuring former TESLA guitarist Tommy Skeoch, has released the official music video for its second single, "Fate". Joining him in the group are ex-LYNCH MOB lead vocalist Nathan Utz, guitarist Steve Stokes, drummer David Parks and bassist Brian Powell. RESIST & BITE is currently mixing its debut album, which was recorded over a 21-period at Sound Stage Studios in Nashville, Tennessee with producer and engineer Michael Rosen. RESIST & BITE's debut single, "The Myth I'm Livin'", came out in March 2020. Skeoch left TESLA in 2006 and went on to receive treatment for substance-abuse issues. He has since been replaced by Dave Rude. Asked in an interview with SiriusXM's "Trunk Nation With Eddie Trunk" if he exited the group of his own accord or if he was asked to leave, Tommy said: "I was fired. I was getting fucked up and I was definitely in the wrong about a lot of stuff, and they put up with it for a long time. But at the same time, none of us were angels, and we put up with a lot of stuff from the other guys for a long time too, and they're still there. So I felt like a little scapegoated by the thing. And the other thing is they didn't want people — I guess for the benefit of my family, so it wouldn't look bad — they said, 'Tommy's just gonna spend time [with his family].' That's why nobody knows, and that's why you're asking this question. Everyone's confused on even what happened. Basically, I was fired. I was getting fucked up, and I kept fucking up, and I kept telling 'em I wouldn't, and I just couldn't stop." Skeoch added that he accepts responsibility for the circumstances that led to his departure from TESLA. "I do, of course," he said. "But I also believe we put up with a lot of shit for a long time from almost every other guy in the band, and they're still there. So I don't know what's up with that; that's a little weird to me." Last September, TESLA guitarist Frank Hannon was asked by Detroit's WRIF radio station if the band will ever work with Skeoch again. Hannon said: "When we were kids, Tommy Skeoch and myself, I was 16 and he was about 19 or 20. I used to really look up to him — I was a huge fan of his style, and still am, a great fan of his guitar playing. We were like best buds. And then we would collaborate and write songs like 'Modern Day Cowboy' or any of those TESLA songs, we'd write 'em together. But as time went on, man, the egos and the problems — myself included — throughout the years, the competition, it really drove a wedge between us. And the drugs and alcohol just really destroyed our relationship, I've just gotta be honest. We weren't supposed to talk about this stuff, but now I figure it's been long enough. "I don't see that TESLA will ever go back, because we love Dave Rude, and Dave has really been a great addition to the band. And it would be disrespectful to him to go backwards to a toxic thing, a relationship that really got very toxic. "Unfortunately, I don't think that TESLA will work with Tommy again — ever," Frank reiterated. "But I will say that myself, personally, I have always loved Tommy and I just wish him the best. I'm so glad that he's still alive, and I know he's got a new band out [RESIST & BITE] that put a song out called 'The Myth I'm Livin''. It was kick-ass; it had Tommy's guitar. Look, I'm getting goosebumps right now. Every time I hear Tommy Skeoch play, it brings a smile to my face, 'cause he's freakin' awesome. As a musician, I have nothing but love and respect for the guy. But I don't think TESLA will ever work with him again. But I do wish him the best." In a 2011 interview with Noisecreep, TESLA singer Jeff Keith stated about Skeoch: "Look, everyone in TESLA has been through their own substance-abuse issues. But Tommy got in too deep again. So the band told him that the only way we would be able to make this work is if he was clean and sober. I felt like we couldn't ask him to do that if we weren't going to commit to it too. So I was the first one to say that I wouldn't drink, or do anything else, on the tour. The next thing you know, the other guys did the same thing. Troy [Luccketta, drums] has been clean and sober for over 20 years, so it wasn't even an issue for him... Tommy couldn't stay off the stuff he was doing. It broke my heart to see it, but we knew we had to replace him."
Posted on 20 June 2021 | 5:00 am
During an appearance on MACHINE HEAD frontman Robb Flynn's "No Fuckin' Regrets With Robb Flynn" podcast, ANTHRAX bassist Frank Bello discussed his band's touring plans for the coming months. He said (as transcribed by BLABBERMOUTH.NET): "We're doing periodic shows. We're doing bits and pieces. There's no real touring, for us, till next year; there's no [new] record till next year. It makes sense. We're doing [several of the Danny] Wimmer [Presents festivals] — all that stuff. And it's all fun. And it'll be nice to see people in general and get a little taste of it [as we come out of the pandemic]. We're kind of dipping our toes in." Asked if ANTHRAX will be doing any fan meet-and-greets at the upcoming dates, Bello said: "No. Not that I know of. I haven't signed off to it. I'm not ready. "I was just at this meeting the other day at some restaurant, and the dude comes out," he continued. "I know it's me; I know I'm anal retentive at this point. I'm fucking freaking out on it. [He walks] right up [to me] with [his] hand [out]. It's like a defense mechanism. I put out my elbow fucking immediately. It's like a karate thing all of sudden. "Dude, I'm in Japan at this fucking point," he said, referencing the Japanese custom of bowing rather than hugging, kissing or shaking hands. "I'm bowing and shit. Fuck the rest of this garbage. No fucking way. Most of these fucking people have sweaty goddamn hands. No offense to people. It's just too many germs touching your fucking hand. We all learned now — we just fucking learned this shit. "No disrespect to anybody," Bello added. "I don't wanna offend anybody, 'cause you've gotta be careful — you can't offend anybody now. I'll [give you an elbow] bump anytime, but the shaking-hand thing — you can float me your boogers; you've got fucking diseases. There's no way. It's done, dude. I want out. I'm out. "I'm all for meeting people," he explained. "I love meeting people and talking to people — I'm a people person. I'm not like that. I don't wanna stay away from people; I wanna be around. But the whole idea of just that germ thing… Like, when I have a cold from now on, I'm gonna wear a fucking mask. They do it in Japan, and it's a great way to go. I don't wanna spread my germs to anybody, so please, please do that." Bello's memoir, "Fathers, Brothers, And Sons: Surviving Anguish, Abandonment, And Anthrax", will be released on October 12 via Rare Bird. The foreword was written by KISS bassist/vocalist Gene Simmons. ANTHRAX is working on material for the follow-up to 2016's "For All Kings" album, tentatively due in 2022.
Posted on 19 June 2021 | 4:42 pm
In a new interview with Natasja Lain of For The Passion Not The Fashion, guitarist Patrick Mameli of long-running Dutch progressive death metallers PESTILENCE was asked what it was like touring with Chuck Schuldiner and DEATH back in the early 1990s. He responded (as transcribed by BLABBERMOUTH.NET): "[Chuck was] interesting — an interesting guy. And I have to give him props for being one of the first pioneers of this extreme music. I know that Jeff Becerra from POSSESSED was even before him, so I have to really call Jeff the godfather of death metal. But if you talk about godfather, it makes you sound really old. And Jeff is still alive. "I think there is something special about people when they are not amongst the living anymore; then their legacy becomes even bigger," he continued. "And you have to have respect for this, because Chuck was a pioneer. "We toured with [DEATH] a bunch of times, and I must say that me personally and Chuck, we didn't get along too well. This had to do with [the fact that] when PESTILENCE opened up for them, his lineup was a little bit more static and PESTILENCE was really energetic, so we got a good crowd reaction, and I thought he was a little bit jealous of that feeling. But I can't help it. I had long hair, and we were doing hair spins and all this stuff, and that was really nice." Mameli added: "But I learned a lot from [Chuck] business-wise — the way he thinks about record labels and thinks about the business. So we had long conversations about the business side of it so I could learn a little bit from what he was dealing with and not to fall in the same trap." Schuldiner died on December 13, 2001 after a battle with pontine glioma, a rare type of brain tumor. PESTILENCE will release its ninth album, "Exitivm", on June 25 via Agonia Records.
Posted on 19 June 2021 | 3:48 pm